Print Story i feel so very shit today
Diary
By fleece (Mon Sep 04, 2006 at 08:10:34 AM EST) (all tags)
when i write i don't really care about the story at all. i just like the rhythm of language, and how ideas make you feel. so i guess it's like art, i just care about you're emotional response to it. If there's something cerebral going on, it's just because it's a handy framework, but that's not how it starts. It usually starts with a purely visual image, then it's purely aural, and the rest is what the reader applies, based on their life experience. I think that last bit is like, 80% of it, the reader's bit. like your favourite bit is the bit you put there.


I'll destroy meaning to make something sound better if the rhythm's wrong. I'll lose the perfect verb if it's got one too many syllables. As soon as you fuck up the beat, you've lost any emotional impact you were building towards, so it's not worth the risk.

rhythm is the most important for conversation. people say, "it's gotta sound authentic like a real person would say", but that is so much bullshit. that's like saying a van gogh sky has to look real. if you can just dig it then it's right.

 I edited a film script for a filmmaker i know, and he was happy. i felt pretty happy aobut it too. he never made the film.

I keep a book for ideas. A notebook. But i hate fucking lines. I like sketchbooks. If i have a book with lines, i'll dishonour them deliberately. I use big and small words to remind me how the bits are supposed to feel. my writing is so messy because when i'm writing i'm normally going at 1 million miles an hour, like my whole life. I'll wait til my tea is luke warm, then scull it all at once. Then a random day i'll hit the wall. MY friend says if i just slow down i won't hit the wall all the time, but i don't think he even gets it.

after they get on the computer, sometimes it'll get so messy I'll start again in a new space. Then i'll go back and see the old space and surprise myself at how much the story has changed.

here's an example of how something looked in my notebook.

A marriage is like a [wristwatch...?]. If you pull it apart to get a closer look at it    try to get a closer look at it  figure out what’s wrong with it it will never you’ll never get it back together again. Stacy and I spent an entire summer deconstructing our relationship. On the fir week of Spring, we found ourselves    found us the third day of spring found us standing on opposites sides of the kitchen like two strangers with nothing in common, and that was the end.

(in the final draft it ended up like this)

You can't figure out what's wrong with a marriage by pulling it apart and looking at all the pieces. You'll never get it back together again. Kate and I spent an entire summer deconstructing our relationship. The third day of spring found us standing on opposite sides of the kitchen, two strangers with nothing in common, except perhaps a shared knowledge of how straightforward falling out of love can be if you're methodical about it.
That's how it ended.

....

okay I'll try and turn it into my tips.

keep a notebook handy to jot down ideas as soon as you have them. rework rework rework

write stuff then sleep on it and read it again

strike while the iron is hot, like just don't stop writing while you've got the bug

if it's not working, chop it out. you may have to get rid of your favourite bits, but maybe u can use them in anohter story some time.

NEVER begin starting at a blank page. wait until you've got a seed of an idea, then work in all directions from that seed

don't use adverbs, use good verbs

if it feels right, it's right. if it doesn't change it til it does.

in description, be spare so you don't destroy your reader's mental image. The reader's version is better than yours. many people break this rule with superb results, so it's maybe not such a good rule. remember i'm just making these up as i go sort of

never ever state the emotions the protagonist is feeling. let the reader figure it out by other clues. never say it out loud, it just shit to do that.

have a theme running through it. things that might not seem to fit together suddenly fit together like magic if they are thematically bound.

that's all i got right now. feel free to agree or disagree with anything I've said, or add your own might be a cool thing to. this diary could be a bunch of cool ideas to help people experiment with writing.

Full discussion: http://www.hulver.com/scoop/story/2006/9/4/81034/39899